The Real Hos of Atlanta presented their Reunion Show recently. The discussion turned to sex and who had the highest “Freak number,” a scale from one to ten with a ten representing the highest level of sexual freakdom. Phaedra Parks gave herself a freak rating of eight to nine. Someone mentioned a sex act employing sugar and Phaedra said that sugar was delicious. Presumably this involved applying sugar to her man's penis and then licking it off. We have already established that Phaedra likes a man with a large penis as well as giving oral sex(Capre HUNC January 17 and 26,2011). When the host queried that maybe Phaedra was the biggest freak of the girls she said, “Obviously, you know, I'm married. I want to have an exciting sex life, and, you know, Ive got a pretty hot husband. So, I'm willing to try a few things.”
Oh, Phaedra, we can hardly wait to hear more. We are fantasizing of spankings, bondage, and, we can only hope, ORGIES! Keep us posted.
Saturday, February 26, 2011
Thursday, February 24, 2011
Freemason Conspiracy
On an episode of Brad Melzer's Decoded, mysteries surrounding the White House corner stone were studied. Some have said that the stone was removed during the Truman renovation. The disposition of the corner stone was never determined, but during the investigation Melzer's crew went to Freemason headquarters in Washington D.C. to research rumors that President Truman, a 33 degree Mason, may have given the cornerstone, which was laid by Freemasons, back to them. A couple of Masonic officials denied that they have it and that seemed to settle the issue. The sleuths asked about the nature of secrecy in the Masonic organization. Specifically, they inquired about a plot in the nineteenth century to murder a Captain Morgan, who revealed secret Mason rituals to the public. The two officials admitted that this happened, but said that those who did this were not acting in any official capacity, but were independent individuals who happened to be Masons operating stupidly. When questioned about the need for secrecy, the Masons responded that it is necessary to have that level of confidentiality, because one of their main goals was building relationships and that level of trust.
This is exactly why many are suspicious of secret societies. They do not have club policies to implement domination of the earth and all that live here. However, these societies, like the Masons and Bohemians, create an environment where members, who may be important men, feel at ease discussing political and economic policies that are not in the best interests of the vast majority. Most Freemason conspiracy probably amounts to the owner of the local Shell station discussing prices with the owner of the local Chevron station, but there is potential in these settings for much more dangerous scheming.
This is exactly why many are suspicious of secret societies. They do not have club policies to implement domination of the earth and all that live here. However, these societies, like the Masons and Bohemians, create an environment where members, who may be important men, feel at ease discussing political and economic policies that are not in the best interests of the vast majority. Most Freemason conspiracy probably amounts to the owner of the local Shell station discussing prices with the owner of the local Chevron station, but there is potential in these settings for much more dangerous scheming.
Wednesday, February 23, 2011
Fun with the Catherals and Streets of San Francisco
I have recently been watching re runs of The Streets of San Francisco. I watched in the seventies, but the show stands up pretty well today. There are occasional holes in plots and at times the endings are tacky. It seems they run out of time and have to wind it up. Since this is a local show for me, one of the pleasures are scenes of the city as our heroes drive through. Much of San Francisco looks the same, although over the past 35 to 40 years some things have changed. Although irritating, I get a sanctimonious pleasure from spotting some of the mistakes in the show. In one episode the cops turn on to Battery Street from The Embarcadero and Karl Malden announces on the radio that they are pursuing suspects on Monterey Boulevard. Another time they are proceeding down a one way street, probably Howard, and we are told it is Mission, which runs both ways.
During another episode, Requiem for a Murder, Richard Basehart plays the Catholic bishop who is wounded and later killed in the cathedral. The characters are shown going into a grand, older looking church. I know this is not The Cathedral of Saint Mary of the Assumption and think that it may be Grace Cathedral, the Episcopal headquarters. Following an image search I learn that is Saint Paul's Church in the Outer Mission District.
Some local wags call St. Mary's “Our Lady of Maytag,” because it resembles a washing machine agitator. The archdiocese website says, “The design of the new cathedral had to reflect San Francisco's prestige, and also had to incorporate the new liturgical reforms of the (Second Vatican) Council.” The new liturgical reforms apparently mean incomprehensible modern art. This is carried to the extreme with The Cathedral of Christ the Light in Oakland. This all glass monstrosity looks like a bishop's mitre and is dominated by nearby office buildings, the temples of Mammon. The producers of The Streets of San Francisco know how a cathedral is supposed to look.
During another episode, Requiem for a Murder, Richard Basehart plays the Catholic bishop who is wounded and later killed in the cathedral. The characters are shown going into a grand, older looking church. I know this is not The Cathedral of Saint Mary of the Assumption and think that it may be Grace Cathedral, the Episcopal headquarters. Following an image search I learn that is Saint Paul's Church in the Outer Mission District.
Some local wags call St. Mary's “Our Lady of Maytag,” because it resembles a washing machine agitator. The archdiocese website says, “The design of the new cathedral had to reflect San Francisco's prestige, and also had to incorporate the new liturgical reforms of the (Second Vatican) Council.” The new liturgical reforms apparently mean incomprehensible modern art. This is carried to the extreme with The Cathedral of Christ the Light in Oakland. This all glass monstrosity looks like a bishop's mitre and is dominated by nearby office buildings, the temples of Mammon. The producers of The Streets of San Francisco know how a cathedral is supposed to look.
Thursday, February 17, 2011
Saint Mary's Gaels Loose in Fog at San Diego
In last night's 74-66 loss to the WCC cellar dwelling University of San Diego Toreros, the Saint Mary's College Gaels looked befuddled and bemused. If they had been merely cold from beyond the three point arc, they would have had a shot at the end of the game, but they were sub arctic. As it was, the normally 39.3% distance shooters were 2 for 15. If they hit two more they are in the game to the end. This was Rob Jones' first trip back to his former basketball home. Many times these trips back home do not work out, witness C.C. Sabathia's trips to play before friends and family in the Bay Area. Jones never got on track and after an injury late in the first half was ineffective.
Last season the Gaels had big man Omar Samham as an inside scoring threat. When other teams attempted to double team Omar, Saint Mary's was able to get many open shots from three point range. This year they do not have the inside scoring threat and opponents have been defensing their long distance gunners on the perimeter. The Gaels have be able to adjust by driving down the lane from the top of the key. Last night, in addition to harassment at the perimeter, USD was able cut off some of Saint Mary's trips down the lane. Gaels' coach, Randy Bennett, did not have an answer. San Diego, not known as a three points shooting team, got hot and put the game away.
Randy Bennett needs to think about his offense as the post season approaches and make the appropriate adjustments. Go Gaels!
Last season the Gaels had big man Omar Samham as an inside scoring threat. When other teams attempted to double team Omar, Saint Mary's was able to get many open shots from three point range. This year they do not have the inside scoring threat and opponents have been defensing their long distance gunners on the perimeter. The Gaels have be able to adjust by driving down the lane from the top of the key. Last night, in addition to harassment at the perimeter, USD was able cut off some of Saint Mary's trips down the lane. Gaels' coach, Randy Bennett, did not have an answer. San Diego, not known as a three points shooting team, got hot and put the game away.
Randy Bennett needs to think about his offense as the post season approaches and make the appropriate adjustments. Go Gaels!
Monday, February 14, 2011
2011 Grammy Skin-O-Meter Ratings
After the Emmy Red Carpet Disappointment (Carpe HUNC, August31, 2010) we were looking forward to the Grammy scene which usually involves more flash and trash. Although superior to the Emmys we still found it lacking. We have devised the Skin-O-Meter in order to rate the dresses worn. It is a scale from 0 to 100, with 100 being the top rating. It is just our overall opinion but a high rating will involve copious cleavage filled out appropriately as well other skin, such as leg, display. Selected luminaries are rated.
Rihanna 92: Although she does not display cleavage, her outfit shows something of everything she has, front and back.
Kim Kardashian 95: This is what we like to see. A great cleavage shot and does she fill it out!
Toni Braxton 94: This does not come up to her earlier almost see through Grammy efforts, but she still know how to peg the Skin-O-Meter.
Ciara 90: Such a beautiful woman and she is creatively showing skin, but loses a few points for being a little short on cleavage.
Jennifer Hudson 88: She is a hot woman wearing a cute dress and we like the try at cleavage with some lingerie showing. But, is that a push up bra? Did she lose most of her weight in her chest? We prefer a more natural look.
Jennifer Lopez 87: We usually do not like a super short dress on a woman her age, but she pulls it off. We have some cleavage, but, like Toni Braxton, does not measure up to Grammys past.
Katie Perry 78: She is not covered up, but not showing much either.
Juliane Hough 87: Great plunging neckline and fills it out reasonably well.
Eva LaRue 85: Nice short dress with a decent level of cleavage display.
Gram'ma Funk 97: Boy does she pop out of her top! This is what we love to see. Granted the dress is true to her name, funky, but who cares.
Jewel 72: Nice dress, no cleavage.
Dee Dee Bridegewater 86: Nice vision of bust in a hot red dress.
Heidi Klum 81: Nice try, but needs to fill it out more.
Gwenyth Paltrow 48: She get points for the plunge to the waist, but her minimal bust line has minimal effect. We think she would do better with a tight, wet T shirt. You are running with the big girls now,
Gwenyth.
Jenni JWoww Farley 84: She has a really nice figure and displays it well.
Esperanza Spalding 75: The Best New Artist is a beautiful woman, but the dress shows no cleavage and looks like a refugee from Project Runway.
Miley Cyrus N/A: Too young to rate.
So, there it is, our Skin-O-Meter readings for the 2011 Grammy Awards. The Skin-O-Meter will be down for refurbishing and refit, but we plan to have it up and operating for the 2011 Oscars.
Rihanna 92: Although she does not display cleavage, her outfit shows something of everything she has, front and back.
Kim Kardashian 95: This is what we like to see. A great cleavage shot and does she fill it out!
Toni Braxton 94: This does not come up to her earlier almost see through Grammy efforts, but she still know how to peg the Skin-O-Meter.
Ciara 90: Such a beautiful woman and she is creatively showing skin, but loses a few points for being a little short on cleavage.
Jennifer Hudson 88: She is a hot woman wearing a cute dress and we like the try at cleavage with some lingerie showing. But, is that a push up bra? Did she lose most of her weight in her chest? We prefer a more natural look.
Jennifer Lopez 87: We usually do not like a super short dress on a woman her age, but she pulls it off. We have some cleavage, but, like Toni Braxton, does not measure up to Grammys past.
Katie Perry 78: She is not covered up, but not showing much either.
Juliane Hough 87: Great plunging neckline and fills it out reasonably well.
Eva LaRue 85: Nice short dress with a decent level of cleavage display.
Gram'ma Funk 97: Boy does she pop out of her top! This is what we love to see. Granted the dress is true to her name, funky, but who cares.
Jewel 72: Nice dress, no cleavage.
Dee Dee Bridegewater 86: Nice vision of bust in a hot red dress.
Heidi Klum 81: Nice try, but needs to fill it out more.
Gwenyth Paltrow 48: She get points for the plunge to the waist, but her minimal bust line has minimal effect. We think she would do better with a tight, wet T shirt. You are running with the big girls now,
Gwenyth.
Jenni JWoww Farley 84: She has a really nice figure and displays it well.
Esperanza Spalding 75: The Best New Artist is a beautiful woman, but the dress shows no cleavage and looks like a refugee from Project Runway.
Miley Cyrus N/A: Too young to rate.
So, there it is, our Skin-O-Meter readings for the 2011 Grammy Awards. The Skin-O-Meter will be down for refurbishing and refit, but we plan to have it up and operating for the 2011 Oscars.
Wednesday, February 2, 2011
More on the Bohos
Further research indicates that the Bohemian Grove annual encampment has a decidedly homo erotic ambiance. Radio personality Alex Jones has a source he calls Kyle, who works at the encampment for the summers of 2004 and 2005. An article on Jones' website, Inforwars.com, which he entitles The Re-Infiltration of Bohemian Grove says, “Kyle recalled that it was a constant irritant to be approached by old men and propositioned for sexual favors and asked if he 'slept around' and wanted to have some fun.” Even President Nixon, in discussion with John Ehrlichman and H.R. Haldeman, records his thoughts about the gayness of the proceedings at the Grove on May 13, 1971, “But the upper class in San Francisco is that way (homosexual)...now, Bohemian Grove that I attend from time to time, but it is the most faggy god damned thing you could ever imagine...”
Whether or not the encampment is a gay boy getaway is not too important. But, getting back to their pagan, owl worshiping ceremony, it has another element in which is the burning of a human effigy. These guys would probably actually sacrifice a human being if they could and maybe they are waiting for the day in which they may. Jones refers to this as Molechism. Now, Molech is “...the abomination of the children of Ammon.” (1Kings 11:7) In Lev18:21 God commands Israel through Moses, “And thou shalt not let any of thy seed pass through the fire to Molech.” This shows that these men are symbolically turning their backs on God, in order that they may do evil without encumbrance. Maybe most of the members only view this as show and give it little credence. But it demonstrates the thought of whomever designs and perpetrates these ceremonies. The future of our nation and the world does not bode well with people like these in charge
Whether or not the encampment is a gay boy getaway is not too important. But, getting back to their pagan, owl worshiping ceremony, it has another element in which is the burning of a human effigy. These guys would probably actually sacrifice a human being if they could and maybe they are waiting for the day in which they may. Jones refers to this as Molechism. Now, Molech is “...the abomination of the children of Ammon.” (1Kings 11:7) In Lev18:21 God commands Israel through Moses, “And thou shalt not let any of thy seed pass through the fire to Molech.” This shows that these men are symbolically turning their backs on God, in order that they may do evil without encumbrance. Maybe most of the members only view this as show and give it little credence. But it demonstrates the thought of whomever designs and perpetrates these ceremonies. The future of our nation and the world does not bode well with people like these in charge
Labels:
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